so radiate 2002 album cover background

20 years of radiation

celebrating the album radiate

radiate my sorrow

latest releases

broke and dirt vol 002
BROKE AND DIRT sample library vol 002 image

Sounds and loops are all custom from found sound, custom samples and sequences, analogue generation and many are routed thru the sweet sweet broken VHS deck. so dirty, so nasty, so little commercial potential. Just how we like it.

hell beings
C2 hellbeings single cover art

bumping dirty single created with material from Broke and Dirt Vol 001 loop and sound library release

broke and dirt vol 001
C2 BROKE AND DIRT sample library vol 001 image

Sounds and loops are all custom from found sound, custom samples and sequences, analogue generation and many are routed thru the sweet sweet broken VHS deck. so dirty, so nasty, so little commercial potential. Just how we like it.

C2 PENTALOGY album cover

the illusion of individual voice
addicted to the paradox of choice
complacent in the greed divide
grind grind grind, slave to the blind

The entire discography and more is available for free or donation at our bandcamp and alternatively by file share linked from our liberapay. We will never intentionally be on any douchebag digital aggregators! Feel free to go grab it ALL for free and do fuck engorging the corporates.

biography is a creative umbrella for musical, media and technology projects. As a band, have existed in some form as a performance entity for *yikes* three decades. has weathered various live rosters and subtle genre shifts. With roots in synthpop, techno, house and industrial, continues to do what it has always done and meld the sounds. Honest, organic and raw, we have never been much for form over function or calculated image over oontz. After the obligatory many year hiatus, may return in 2022 with ERADICATE. We hope to do some cyber performances of the RADIATE album to celebrate its 20 yrs since release.

C2 is aggressive electronic music for the strong-willed dancefloor. formed to catch the more harsh and experimental content emanating from the studio, C2 courts the sounds and structures of rhythmic industrial, ebm, drum n bass and ambient noisescapes to weave its sonic assault. C2 has been said to contain 'excellent complex contructions of beats that straddle dark ambient underpinnings like an abused mistress'. C2 has been releasing since 1997 and performing live since 1999. After hiding in the garden shed for years with only remixes here and there, C2 returned with a dirty low tech AM radio nightmare BOOM from 2013-2016 with a four EP series and fourth full-album QUADRANTS: the stories of four, PENTALOGY for Halloween 2018 and various singles and remixes since.


*** 2018 note – Well then, maybe the masses starting to delete Facebook is a cool first step of late to the party outrage. Just remember that this wasn’t a scandle or an incident, IT IS corporate social media’s modus operandi! Next step, kindly be a dear to the people you communicate/collaborate with and don’t use google products either. It is painful deciding whether to respond or not to gmail knowing that it is even worse than Facebook. do avoid Google, Gmail, Dropbox, Instagram, Whatsapp, Telegram!!!!, Microsfot, Apple) * Open Source comms and collaboration to check out (protonmail, tutanota, your own pgp email if you are a sadist, and matrix, xmpp with otr (conversations), tox, nextcloud/owncloud, framasoft things, mastodon …) end 2018 note***

It’s not impossible to avoid facebook (instagram), yahoo (tumblr, flickr), google (youtube, android, everything), apple, microsoft etc in 2016, but pretty damn difficult. None of these things are good for humans and they are especially shit for artists, especially older ones who operate in the broom closet of the sub-basement of the dead horse beaten entrails of cannibalised underground ‘scenes’. After having various accounts locked on multiple music and social media sites because contrary to their hot air about your “safety” they don’t actually support randomised anonymous access, and losing all our recent tour “events”, I finally gave up succumbing to the fake need. So I’ve just stopped.

But here is the rub, all the metrics and the analysis of what was working on social media, WASN’T. For instance on our bandcamp, I am still getting the same (or better) plays per day, some downloads every week, and a few of those per month might even donate, all without wasting a single hour/day/week of my life trying to be cute or even visible for that matter on “social” media. I used to see a number of entries to our bandcamp music from facebook links, but they were exceptionally bad value insofar as they didn’t actually DO anything, not even download music for FREE. Some amazing quality traffic comes via facebook but only because it was shared from somewhere orginating outside the over alogrithm’d craposhere, ie from lovingly openly and honestly curated places like Now this will be a little more challenging during a new release launch, but again, the last release I spent literally weeks of time working facebook and got overwhlemingly more response to “it’s coming” than to “it’s here” *crickets chirping*. Think on that for a tick. On the latest release almost all actual download of music response came organically from Bandcamp and previous supporters (THANK YOU), real life suggestions, and from a number of web, blog and search sources originally OUTSIDE of facebook/twitter hole. The trick is going forward just as it personally failed with social web, is how to get new people to even give you an ear in, because statisically, once people find our bandcamp, they are usually fierce independent music supporters who usually check out and often donate for more back catalogue.

Bear in mind these releases for years have been avaialable free or by donation so really WTF facebook peeps you won’t even download something from your “friend” for FREE to help with visibilty? I’ve had the same domain for over two decades and the number of people I’m not in physical contact with, old friends and music buddies from facespace that have checked in considering I disappeared (twice) in quick succession…0. Is the web just that big and life that busy? Maybe, but I think academically speaking it is much more an indication that corporate social media truly has nothing to do with “connecting” friends or ideas and everything to do with infinite transient ego strokes to keep the masses complacent and ignorant that they are the product. Unless lucky, really lucky, flush with time or money, or dodgey you simply cannot bend that system to ethically work as a platform to invite sharing of creative work. The liberal pluralist narrative from the media and corporates means everyone is a “content creator” and the social internet is intentionally and effectively pollution that is getting too hard to sift against drip feed algorithms defined to keep you in the dark. Through the non-social web, I am hugely greatful for the durable and sustainable relationships I have with collaborators and a number of supporters who continually give my work a chance and ironically do their best to help share on the social web, but alas, the echo chamber is real.

On principle, I have and will never deal with digital aggregators and the corporate streamers. It is simply a kick to the groin to anyone thinking they are doing a solid to an artist by paying for music when most of the time, the artist truly gets fuck all and I’d rather give away which ironically, social media makes it exceptionally hard to do! And in terms of getting new people to even listen to our shit, the free or donation model is much less shit than dealing with schysters and middle-men and at the end of the day, requires less showers.

Therefore, I have reclaimed my time on the internet, my irl personal space and time and here on this “blog” we have a place where I can quickly post something of interest to myself or project status, it shoots the rss feed into the new basic bands page, and I can get back to doing actual things rather than waiting for it to never show up in supposed friends’ feeds for them to maybe click a stupid tracking button. To be sure, social media works if that is your full-time job or you have carved out a cutesy niche with a bunch of hangers on, but I can’t afford the time or the degradation to the soul for either. Life is short, art hard! No matter how you spin it, it simply cannot be punk rock to feed the tracking machine with you and your “followers” digital lives, so I’m out.

Yes I realise to embed bandcamp player there may be some google font or analytic scripts running from bandcamp’s side of things, and I don’t quite know how to get rid of youtube yet because holy shit does it have ALL the things in the shallow net, but for now, savvy people can block some of google’s assholery (at a minimum please install privacy badger add-on for firefox). But other than some legacy or reference embeds all my new web and art projects will be to the best of my ability free from evil wherever possible. I realise some people will say they that pervasive cross domain tracking on infinite share buttons is the future today and I’m just salty I couldn’t get 500 viewers on my live cam show. Spend 7 minutes flicking though some of that shit and you should have lost all hope for humanity to avoid catasrophic demise. Maybe you do fine “promoting” yourself or your art on the corporate web. I don’t care if you want to use the stuff and of course people will share my work to the wider social web, fine, I’ve just had enough with the existing paradigm, and I prefer for facebook and google to not own or define my material, events or identity. I have been working towards a free and open model that works for me and helps me feel decent about not feeding the machine, or our insane dependence upon it, if at all possible. I honestly don’t know how exactly to invite others to join me because neither the big corporates nor the transient giant killer apps/sites have been on balance, anything other than a waste of time for me. Certainly a few awesome people get connected via corporate social media, but in my experience at a ridiculous price of time and sanity thus relegating the ideas, art and culture you might have shared with them to the backseat while you constantly manage online promotion. I will retreat to the broken VHS deck and make my noises and if anyone wants to come along for the ride, cool potatoes!

Cheers j control Aug 2016


The entire discography is available for free or donation at our bandcamp. We will never intentionally be on any douchebag digital aggregators. Feel free to go grab it for free as any activity does help other bandcamp users to find us and you might maximise your impact by donating directly. For other than personal listening, our general wish is that all our work is cc by-sa so share alike. For other arrangements or to support please see liberapay or contact.


C2 hell beings -- FEB 2020 -- digital single
#powernoise #industrial #dirtyhouse #industrialdance #militant

C2 PENTALOGY -- OCTOBER 2018 -- digital
#powernoise #industrial #dirtyhouse #industrialdance #militant

C2 Phlegmatic EP -- JULY 2016 -- digital
#soundtrack #dichotomy #horror #noise

C2 CHOLERIC EP -- OCTOBER 2015 -- digital
#powernoise #industrial #dirtyhouse #industrialdance #militant

TETRAPHOBIA -- OCTOBER 2015 -- digital single
#powernoise #industrial #dirtyhouse #industrialdance #militant

QUADRANTS: the stories of four -- OCTOBER 2013 -- limited physical / digital
Urged to seek short-term physical gratification as pain relief, stuck in cycles of pain, we replicate pain as pain relief. We all have our sirens.
#industrial #ebm #powernoise #soundtrack #horror #noise

C2 SANGUINE EP -- SEPTEMBER 2013 -- digital
#industrialdance #beats #female #gothhouse

C2 MELANCHOLIC EP -- SEPTEMBER 2013 -- digital
#noise #soundscape #horror

CUBED -- 2004 -- digital / PHYSICAL (oop)
#powernoise #industrial #ebm #drumnbass #hardhouse #idm

CROWD CONTROL -- 2002 -- single ep / LIMITED PHYSICAL (oop)
#powernoise #industrial #ebm #harsh #noise

SECOND WAVE -- 2000 -- digital / LIMITED PHYSICAL (oop)
#powernoise #industrial #ebm #harsh #noise

INITIAL CONTROL -- 1999 -- digital / LIMITED PHYSICAL (oop)
#experimental #industrial #soundtrack #noise


BROKE AND DIRT 002 -- MAR 2022 -- digital samples and loops
#loops #samples #ebm #industrial #house #dirty #noise

BROKE AND DIRT 001 -- FEB 2020 -- digital samples and loops
#loops #samples #ebm #industrial #house #dirty #noise


#synth #ebm #industrial #house #goth-hop #electro

RADIATE -- 2002 -- digital / PHYSICAL
#synth #ebm #industrial #electro

MANIPULATE -- 2001 -- digital / PHYSICAL
#synth #ebm #industrial #electro


HOW TO WORK -- 2018 -- digital
#house #techhouse #electro #dance #unite

REVIVE THE TRIBE -- 2017 -- digital
#house #techhouse #electro #dance #unite

SELECTED COMPILATIONS 'reciprocate' 2016
album: Electronic Saviors 4
label: distortion productions / metropolis

C2 'four on the floor' 2015
album: S.I.N.G.E.D. volume 2

C2 'affirmative negative infinite' 2015
album: Endzeit bunkertracks [act 7]
label: Alfa Matrix

C2 'RLFv3' 2014
album: Electronic Saviors 3
label: Distorton Productions / Metropolis

C2 'scream in the mirror' 2013
album: NAR Sampler Vol 2
label: New Alternative Radio 'thought control' 2011
album: GCS 1
label: COMA Music Magazine 'sacrifice' 2003
album: State of Synthpop 2003
label: A Different Drum

C2 'warning' 2002
album: Kappa
label: MHz

C2 'connect [subsnow mix]' 2002
album: Subsnow Tour CD
label: Ad Noiseam


mastodon social logo
stripped of images and remote content


@binder @publius @feld @jk I think the low emoji cache is a non-starter. 1GB+ or go home


@ChrisWere opening episode was pretty intense and engrossing. 2nd meh and I was out, wife persevered to 3rd and reported I made the right call. so that's that

also made me itch for like 2 hours.


@catsalad this is not a binding poll, it had no super hero option...


@capnseasick tokyo, yokohama, shizuoka, munich everybody talk about


I do not want to seem inconsiderate of our cousins up north absolutely going though it but in the south we have the exact opposite. Whereas up north spuds were munted by wet, and now onions. I have been sparse online as I have been fighting everyday with minimal irrigation avail to salvage what wasn't already stunted and munted from summer frost then dry now full on drought and violent hot conditions. Mulch, shade walls and cover, spot watering, with many things harvested or harvesting what we can salvage density protection goes down and exposure increases. With rubbish health last thing I need is collapsing to heat so I'm doing 30 minutes on, 10 off, or 15 on 5 off in the shade. And doing what I can that doesn't involve immediate crop protection in the evening. Sparing a thought for anyone who cannot take cover.

The only thing on the radar of substance is a possible rain bomb on the weekend that will make things leak and damage crops on the way down (apples and pears that have made it so far), run off and not really deep soak the ground.

I am not gonna be surprised if next we hear grain is in trouble in the middle.

It's grim all over and feels like there is no more covering for each others' extreme events when they are just all the time everywhere.

I can't even sign off with my usual garden hard! in good faith. Fuck this shit. climate change is beyond mitigating REAL. I've spent a few decades with nearly one of them as a market gardener fighting, advocating and proving in the field how the people can save seed and genetic diversity. Now we gonna have to figure out how the people won't get locked out of sheltered quasi or full indoor farming because it's looking like a thing. My next field development is going to have full framing skeleton to be able to roll out walls and covers for wind, frost, sun like a pool cover. great more projects.

Stay safe out there. Hug a gardener in your bubble.


@timezoneless @thegibson


@SocialGaff we fear change!


@zeborah ran that through the reality check translator and got:
"waaah I can afford to take my family of five on international holidays and I'm ignorant enough to bring home covid/flu to take to the peasants via the kids' schools and the hospitals I perform surgery and/or miss work and ruin more lives from missed ops as well. Who cares about YOUR little state of emergency, pay attention to us, Drs Ken and Karen!"

I was steaming until I got to the bottom then went right off the rails at these absolute muppets for "blasting" the airline who is GIVING 250/night towards lodging.



@cat I didn't know I wondered what would happen if garfunkle & oates, les claypool a tin whistle and cereal killer merged. BUT BOY HOWDY DID IT GET ANSWERED!


@Sir_Boops @merpderp and also not rude if instances ask for a note on what you plan to do, are cool with it and welcome you in

don't be shy


Team! would you like to volunteer some quick and easy voice work for a rebooted and refreshed fediverse celebrating media project that I cannot quite say out loud quite just yet? I can vaguely say it is all about consent, agency, avoiding walled gardens and supporting fedizens. It's a bit whimsical and fun and we want diversity NOT that one guy that reads all the movie trailers. literally 2 minutes to read brief and drop a few words.

All will be revealed to those who raise their hand but shhh secret squirrel....


@claudiom @ParadeGrotesque and the bio. calling your casual choice to post on another website "refugee" is peak tone oblivious entitled and also just downright crappy



completely alternative file share download in 3 formats of the entire controlfreak catalogue and a direct way to donate/hire/collab
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